Françoise Dhulesia

I will remember the first lines, like the overture of a symphony that is meant to be played agitato, animato!

As the poem develops, its musicality is explored to perfection, with a multitude of nuances, an alternation of silence and roaring. The narrator, the observer and recipient of all the forces of the sea, stands as a music director, surfing on an infinity of sensations.

From largo to moderato, from andantino to the final adagio, the poetess is one with the sea, its amazing interpreter.

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Sushama Karnik

Françoise Dhulesia Wow! Such inspiring words from you. I would like to know more about the language of Piano from you.

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Françoise Dhulesia

Sushama Karnik The language of the piano is that of the heart, like yours, full of nuances and emotions. You know the language of the piano, intimate, intuitive. The keyboard is your playground, and the notes resonate throughout the largos, andantes and allegros. In your poetic practice, words and sounds meet and the poet's art is to make them resonate, harmoniously. You know the language of music and play it with talent, intuitively.